Cat People (Paul Schrader, 1982)

Only you can stop this killing. You’ve got to make love with me!

You can see why the God-haunted, Total-Depravity-Of-Man-obsessed ex-Calvinist Schrader would be drawn to this landmark supernatural thriller. But his sensibilities are all wrong for it, and the genius – not to mention the spiritual frisson – of the masterful original is completely lost. Understatement becomes overstatement, what’s implicit he makes explicit: sexual undercurrents open out into rancid sloughs of prostitution, promiscuity and incest, and the threat of violence is more than threatened – we even get to see a melodramatic Malcolm McDowell slurp down some human entrails. Lovely, if that’s your kind of thing.

The religious elements that Tourneur took seriously are sensationalized here, robbed of any potency: instead of Irena holding hard to Christianity to keep her darkest impulses at bay, her brother is the religious one in the family, part of a fanatical cult. The celebrated park and swimming pool scenes are both here: on the commentary track the director refers to them as obligatory scenes, and that’s pretty much how they feel.

Oh yeah, the girl in the pool this time is topless. It’s that kind of movie. Watch the original.

  • Pingback: Jacques Tourneur, B Movie Auteur (Part 1): Cat People (1942) | Filmwell

  • Enfer

    Though your review of the extremely well-executed Cat People 1942 was spot-on and insightful, this one is pretty unfair and doltish in my opinion. There is a different kind of emotional potency in this, and though there is sensationalism it’s never allowed to harm the emotional or plot content. Plus the film is stunning to look at with beautiful photography. It’s a totally different film for a different era, dealing with some different themes, but it’s a quality Euro-style horror film. I can’t help but feel that your devotion to the 1942 version and possibly having grown up in that era is the cause for your unreasonable dislike of the underrated remake.