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	<title>Filmwell</title>
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	<link>http://theotherjournal.com/filmwell</link>
	<description>Is This a Film Blog?</description>
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		<title>Upstream Color (Carruth, 2013)</title>
		<link>http://theotherjournal.com/filmwell/2013/04/18/upstream-color-carruth-2013/</link>
		<comments>http://theotherjournal.com/filmwell/2013/04/18/upstream-color-carruth-2013/#comments</comments>
		<pubDate>Thu, 18 Apr 2013 18:14:36 +0000</pubDate>
		<dc:creator>M. Leary</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Pascal]]></category>
		<category><![CDATA[Primer]]></category>
		<category><![CDATA[Shane Carruth]]></category>
		<category><![CDATA[Upstream Color]]></category>

		<guid isPermaLink="false">http://theotherjournal.com/filmwell/?p=8888</guid>
		<description><![CDATA[&#160; &#160; On paper, Upstream Color ticks a remarkable number of my boxes: Carruth? ✓ Lengthy sequences sans dialogue? ✓ Auteur struggle vibe? ✓ Economy of image across multiple planes of action? ✓ Responsive PR contact? ✓ Fetching composition? ✓ Alternative distribution? ✓ Arboreal? ✓ Really cosmic stuff going on?  ✓ Pascalian images of the “condition of men”? ✓ Lack of exposition? ✓ Rudy Rucker meets Orchid [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Light Shining in a Dark Place (Sellars, ed. 2012)</title>
		<link>http://theotherjournal.com/filmwell/2013/04/17/light-shining-in-a-dark-place-sellars-ed-2012/</link>
		<comments>http://theotherjournal.com/filmwell/2013/04/17/light-shining-in-a-dark-place-sellars-ed-2012/#comments</comments>
		<pubDate>Wed, 17 Apr 2013 13:25:44 +0000</pubDate>
		<dc:creator>M. Leary</dc:creator>
				<category><![CDATA[Au hasard Filmwell]]></category>

		<guid isPermaLink="false">http://theotherjournal.com/filmwell/?p=8890</guid>
		<description><![CDATA[I missed this post over at Pop Theology about a book to which I contributed last year, edited by Jeff Sellars (Light Shining in a Dark Place). I wrote a chapter called “Recalling Jesus: Form, Theory, and Trauma in Jesus Cinema.” Which the post summarizes well: He argues, quite rightly, “Excepting discussion of films like The Passion [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Announcing: The Alternative History of Jesus</title>
		<link>http://theotherjournal.com/filmwell/2013/04/11/announcing-the-alternative-history-of-jesus/</link>
		<comments>http://theotherjournal.com/filmwell/2013/04/11/announcing-the-alternative-history-of-jesus/#comments</comments>
		<pubDate>Thu, 11 Apr 2013 16:40:36 +0000</pubDate>
		<dc:creator>M. Leary</dc:creator>
				<category><![CDATA[Au hasard Filmwell]]></category>
		<category><![CDATA[Alternative History of Jesus]]></category>

		<guid isPermaLink="false">http://theotherjournal.com/filmwell/?p=8886</guid>
		<description><![CDATA[Very long ago I decided to start a series here I was calling the &#8220;Alternative History of Jesus,&#8221; and then I stopped after two. There were two reasons for this. First, I have been really busy. Second, I thought that the series would actually make a decent book &#8211; which would also give me the [...]]]></description>
		<wfw:commentRss>http://theotherjournal.com/filmwell/2013/04/11/announcing-the-alternative-history-of-jesus/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>To The Wonder (Malick, 2013)</title>
		<link>http://theotherjournal.com/filmwell/2013/04/03/to-the-wonder-malick-2013/</link>
		<comments>http://theotherjournal.com/filmwell/2013/04/03/to-the-wonder-malick-2013/#comments</comments>
		<pubDate>Wed, 03 Apr 2013 17:44:54 +0000</pubDate>
		<dc:creator>M. Leary</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Christ]]></category>
		<category><![CDATA[Hunt of the Unicorn]]></category>
		<category><![CDATA[Lady and the Unicorn]]></category>
		<category><![CDATA[Malick]]></category>
		<category><![CDATA[To the Wonder]]></category>
		<category><![CDATA[Tree of Life]]></category>

		<guid isPermaLink="false">http://theotherjournal.com/filmwell/?p=8863</guid>
		<description><![CDATA[Curator Magazine posted my review of To The Wonder last week. It was a delight to write for them. But more could have been said about the O’Keefe orchid and succulent shots, the shot focus on the mirror image of the unicorn in one of the medieval “Lady and the Unicorn” tapestries, the Lorica of St. Patrick, [...]]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>De Palmian Dissonance</title>
		<link>http://theotherjournal.com/filmwell/2013/03/25/de-palmian-dissonance/</link>
		<comments>http://theotherjournal.com/filmwell/2013/03/25/de-palmian-dissonance/#comments</comments>
		<pubDate>Mon, 25 Mar 2013 13:04:09 +0000</pubDate>
		<dc:creator>M. Leary</dc:creator>
				<category><![CDATA[Essays]]></category>
		<category><![CDATA[Blow Out]]></category>
		<category><![CDATA[Body Double]]></category>
		<category><![CDATA[Brian De Palma]]></category>
		<category><![CDATA[Chris Dumas]]></category>
		<category><![CDATA[Coed Frenzy]]></category>
		<category><![CDATA[Femme Fatale]]></category>
		<category><![CDATA[Un-American Psycho]]></category>

		<guid isPermaLink="false">http://theotherjournal.com/filmwell/?p=8850</guid>
		<description><![CDATA[(Ed. note: A very welcome, detailed, and incisive guest post from Ryan Holt, who does not write enough about cinema over here. This is the second post in a series on De Palma and Chris Dumas&#8217; recent book Un-American Psycho.) &#160; In his “film essay” on forgery and deceit, F for Fake, Orson Welles performs a magic trick [...]]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Chris Dumas and De Palma&#8217;s Obsession</title>
		<link>http://theotherjournal.com/filmwell/2013/03/21/chris-dumas-and-de-palmas-obsession/</link>
		<comments>http://theotherjournal.com/filmwell/2013/03/21/chris-dumas-and-de-palmas-obsession/#comments</comments>
		<pubDate>Thu, 21 Mar 2013 14:13:37 +0000</pubDate>
		<dc:creator>M. Leary</dc:creator>
				<category><![CDATA[Essays]]></category>
		<category><![CDATA[Blow Out]]></category>
		<category><![CDATA[Bonfire of the Vanities]]></category>
		<category><![CDATA[Brian De Palma]]></category>
		<category><![CDATA[Chris Dumas]]></category>
		<category><![CDATA[Get To Know Your Rabbit]]></category>
		<category><![CDATA[Mission to Mars]]></category>
		<category><![CDATA[Obsession]]></category>
		<category><![CDATA[Paul Schrader]]></category>
		<category><![CDATA[Phantom of the Paradise]]></category>
		<category><![CDATA[Scarface]]></category>
		<category><![CDATA[Sisters]]></category>
		<category><![CDATA[The Black Dahlia]]></category>
		<category><![CDATA[Un-American Psycho]]></category>
		<category><![CDATA[Wise Guys]]></category>

		<guid isPermaLink="false">http://theotherjournal.com/filmwell/?p=8852</guid>
		<description><![CDATA[(Ed. note: A very welcome, detailed, and incisive guest post from Ryan Holt, who does not write enough about cinema over here. This is the first post in a series on De Palma and Chris Dumas&#8217; recent book Un-American Psycho.)   “You see, several years ago, long after the floods, moisture seeped into a portion of the altarpiece, [...]]]></description>
		<wfw:commentRss>http://theotherjournal.com/filmwell/2013/03/21/chris-dumas-and-de-palmas-obsession/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Man With A Movie Camera (Conversations about the S&amp;S Top Ten Greatest Films)</title>
		<link>http://theotherjournal.com/filmwell/2013/03/11/man-with-a-movie-camera-conversations-about-the-ss-top-ten-greatest-films/</link>
		<comments>http://theotherjournal.com/filmwell/2013/03/11/man-with-a-movie-camera-conversations-about-the-ss-top-ten-greatest-films/#comments</comments>
		<pubDate>Mon, 11 Mar 2013 14:59:00 +0000</pubDate>
		<dc:creator>M. Leary</dc:creator>
				<category><![CDATA[Essays]]></category>
		<category><![CDATA[David Lynch]]></category>
		<category><![CDATA[Godard]]></category>
		<category><![CDATA[Man With a Movie Camera]]></category>
		<category><![CDATA[Mark Helprin]]></category>
		<category><![CDATA[Sight & Sound Greatest Films]]></category>
		<category><![CDATA[Sight & Sound Greatest Films Conversation]]></category>
		<category><![CDATA[Twin Peaks]]></category>
		<category><![CDATA[Vertov]]></category>
		<category><![CDATA[Wim Wenders]]></category>
		<category><![CDATA[Wings of Desire]]></category>
		<category><![CDATA[Winter's Tale]]></category>

		<guid isPermaLink="false">http://theotherjournal.com/filmwell/?p=8819</guid>
		<description><![CDATA[(Join Jeffrey Overstreet and Michael Leary as they discuss the Top Ten films from the recent Sight &#38; Sound Greatest Films poll. Visit the &#8220;Sight &#38; Sounds Greatest Films Conversation&#8221; tag for previous installments.) ML: This was an interesting biographical experience. I haven’t seen this film for many years, long enough that I think I [...]]]></description>
		<wfw:commentRss>http://theotherjournal.com/filmwell/2013/03/11/man-with-a-movie-camera-conversations-about-the-ss-top-ten-greatest-films/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>An Extended Look at Two Scenes from Oldboy and Lady Vengeance</title>
		<link>http://theotherjournal.com/filmwell/2013/03/06/8794/</link>
		<comments>http://theotherjournal.com/filmwell/2013/03/06/8794/#comments</comments>
		<pubDate>Wed, 06 Mar 2013 13:47:57 +0000</pubDate>
		<dc:creator>Andrew Welch</dc:creator>
				<category><![CDATA[Essays]]></category>
		<category><![CDATA[Lady Vengeance]]></category>
		<category><![CDATA[OldBoy]]></category>
		<category><![CDATA[Park Chan-wook]]></category>

		<guid isPermaLink="false">http://theotherjournal.com/filmwell/?p=8794</guid>
		<description><![CDATA[Earlier this week, I wrote an article for the Dallas Observer on OldBoy and Lady Vengeance, two films by South Korean filmmaker, Park Chan-wook. I did the best I could with it but it didn&#8217;t have the specificity I wanted it to have. I’d like to correct that here by noting two moments&#8211;one from each film&#8211;that encapsulate [...]]]></description>
		<wfw:commentRss>http://theotherjournal.com/filmwell/2013/03/06/8794/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>A Missional Imagination</title>
		<link>http://theotherjournal.com/filmwell/2013/03/01/a-missional-imagination/</link>
		<comments>http://theotherjournal.com/filmwell/2013/03/01/a-missional-imagination/#comments</comments>
		<pubDate>Fri, 01 Mar 2013 18:26:46 +0000</pubDate>
		<dc:creator>M. Leary</dc:creator>
				<category><![CDATA[Essays]]></category>
		<category><![CDATA[Andre Bazin]]></category>
		<category><![CDATA[Missional Imagination]]></category>
		<category><![CDATA[Wendell Berry]]></category>

		<guid isPermaLink="false">http://theotherjournal.com/filmwell/?p=8786</guid>
		<description><![CDATA[“The term &#8216;imagination&#8217; in what I take to be its truest sense refers to a mental faculty that some people have used and thought about with the utmost seriousness. The sense of the verb “to imagine” contains the full richness of the verb &#8216;to see.&#8217; To imagine is to see most clearly, familiarly, and understandingly [...]]]></description>
		<wfw:commentRss>http://theotherjournal.com/filmwell/2013/03/01/a-missional-imagination/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Certified Copy and the Tension between Fidelity and Authenticity</title>
		<link>http://theotherjournal.com/filmwell/2013/02/15/certified-copy-and-the-tension-between-fidelity-and-authenticity/</link>
		<comments>http://theotherjournal.com/filmwell/2013/02/15/certified-copy-and-the-tension-between-fidelity-and-authenticity/#comments</comments>
		<pubDate>Fri, 15 Feb 2013 13:00:32 +0000</pubDate>
		<dc:creator>Nicholas Olson</dc:creator>
				<category><![CDATA[Essays]]></category>
		<category><![CDATA[Abbas Kiarostami]]></category>
		<category><![CDATA[Authenticity]]></category>
		<category><![CDATA[Certified Copy]]></category>
		<category><![CDATA[Charles Taylor]]></category>
		<category><![CDATA[Marriage]]></category>

		<guid isPermaLink="false">http://theotherjournal.com/filmwell/?p=8717</guid>
		<description><![CDATA[The Filmwell landscape is well populated with Certified Copy posts (like the wonderful meditations found here and here). And it seems appropriate that this film is considered and reconsidered at this site. As a new contributing writer, I almost feel as if offering a post on this Kiarostami is like a rite of passage into [...]]]></description>
		<wfw:commentRss>http://theotherjournal.com/filmwell/2013/02/15/certified-copy-and-the-tension-between-fidelity-and-authenticity/feed/</wfw:commentRss>
		<slash:comments>6</slash:comments>
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