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	<title>Filmwell</title>
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	<description>Is This a Film Blog?</description>
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		<title>The World of Japanese Cyberpunk Cinema</title>
		<link>http://theotherjournal.com/filmwell/2012/02/08/the-world-of-japanese-cyberpunk-cinema/</link>
		<comments>http://theotherjournal.com/filmwell/2012/02/08/the-world-of-japanese-cyberpunk-cinema/#comments</comments>
		<pubDate>Wed, 08 Feb 2012 13:50:08 +0000</pubDate>
		<dc:creator>Jason Morehead</dc:creator>
				<category><![CDATA[Au hasard Filmwell]]></category>
		<category><![CDATA[cyberpunk]]></category>
		<category><![CDATA[Japan]]></category>
		<category><![CDATA[Mark Player]]></category>
		<category><![CDATA[midnight eye]]></category>

		<guid isPermaLink="false">http://theotherjournal.com/filmwell/?p=7176</guid>
		<description><![CDATA[Midnight Eye’s Mark Player has written a fascinating and very in-depth essay on the sub-genre of Japanese cyberpunk cinema and its major figures (e.g., Shinya Tsukamoto, Shozin Fukui), notable films (e.g., Tetsuo: The Iron Man, Electric Dragon 80,000V, Akira, Rubber’s Lover), and themes. The world of live-action Japanese cyberpunk is a twisted and strange one indeed; a far cry [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>A Separation (Farhadi, 2011)</title>
		<link>http://theotherjournal.com/filmwell/2012/02/03/a-separation-farhadi-2011/</link>
		<comments>http://theotherjournal.com/filmwell/2012/02/03/a-separation-farhadi-2011/#comments</comments>
		<pubDate>Fri, 03 Feb 2012 14:45:36 +0000</pubDate>
		<dc:creator>Mike Hertenstein</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[About Elly]]></category>
		<category><![CDATA[Iranian Cinema]]></category>

		<guid isPermaLink="false">http://theotherjournal.com/filmwell/?p=7140</guid>
		<description><![CDATA[By the third time out or so, you realize that a filmmaker you’ve only been vaguely or even just accidentally keeping up with clearly deserves more particular notice –  and so you sit up and pay attention, remember the name, start looking for it on festival schedules, indeed, choose that name over others, becoming attuned [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>A Rankin-Bass Christmas</title>
		<link>http://theotherjournal.com/filmwell/2012/01/26/a-rankin-bass-christmas/</link>
		<comments>http://theotherjournal.com/filmwell/2012/01/26/a-rankin-bass-christmas/#comments</comments>
		<pubDate>Fri, 27 Jan 2012 03:54:03 +0000</pubDate>
		<dc:creator>nkcarter</dc:creator>
				<category><![CDATA[Essays]]></category>

		<guid isPermaLink="false">http://theotherjournal.com/filmwell/?p=7129</guid>
		<description><![CDATA[This less-than-seasonal post is brought to you by NVidia and their faulty logic boards. &#8212;&#8212;&#8212;&#8212;- For most Americans, stop-motion is something of a Yuletide affair. Don&#8217;t get me wrong; the surge of stop-motion in theaters lately has been extremely gratifying. Aardman Studios is stretching beyond their Wallace and Gromit brand, Laika is capitalizing on the success [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
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		<title>One look at this, and Marathon Man will never be scary again.</title>
		<link>http://theotherjournal.com/filmwell/2012/01/26/one-look-at-this-and-marathon-man-will-never-be-scary-again/</link>
		<comments>http://theotherjournal.com/filmwell/2012/01/26/one-look-at-this-and-marathon-man-will-never-be-scary-again/#comments</comments>
		<pubDate>Thu, 26 Jan 2012 17:49:31 +0000</pubDate>
		<dc:creator>Jeffrey Overstreet</dc:creator>
				<category><![CDATA[Au hasard Filmwell]]></category>

		<guid isPermaLink="false">http://theotherjournal.com/filmwell/?p=7124</guid>
		<description><![CDATA[Thanks to A Conversation On Cool for sharing this revelatory moment from the set of Marathon Man. &#160;]]></description>
		<wfw:commentRss>http://theotherjournal.com/filmwell/2012/01/26/one-look-at-this-and-marathon-man-will-never-be-scary-again/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<item>
		<title>The Spiritual Discipline of Cinema</title>
		<link>http://theotherjournal.com/filmwell/2012/01/20/the-spiritual-discipline-of-cinema/</link>
		<comments>http://theotherjournal.com/filmwell/2012/01/20/the-spiritual-discipline-of-cinema/#comments</comments>
		<pubDate>Fri, 20 Jan 2012 21:23:14 +0000</pubDate>
		<dc:creator>M. Leary</dc:creator>
				<category><![CDATA[Essays]]></category>
		<category><![CDATA[Devotional Cinema]]></category>
		<category><![CDATA[Dorsky]]></category>

		<guid isPermaLink="false">http://theotherjournal.com/filmwell/?p=7111</guid>
		<description><![CDATA[There is often talk of framing our cultural experiences in terms found commonly in Christian spirituality. On account of this, we find film and theology groups that are structurally identical to group bible studies. We reserve watching certain films for certain spots on the Christian calendar, like annual Easter screenings of Gibson’s Jesus film. In [...]]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>The Detective&#8217;s Dark Shadow: Murder by Decree (Bob Clark, 1979)</title>
		<link>http://theotherjournal.com/filmwell/2012/01/18/the-detectives-dark-shadow-murder-by-decree-bob-clark-1979/</link>
		<comments>http://theotherjournal.com/filmwell/2012/01/18/the-detectives-dark-shadow-murder-by-decree-bob-clark-1979/#comments</comments>
		<pubDate>Wed, 18 Jan 2012 15:56:53 +0000</pubDate>
		<dc:creator>nbooth</dc:creator>
				<category><![CDATA[Essays]]></category>
		<category><![CDATA[Detective Fiction]]></category>
		<category><![CDATA[Sherlock Holmes]]></category>

		<guid isPermaLink="false">http://theotherjournal.com/filmwell/?p=7108</guid>
		<description><![CDATA[Crime fiction has both the opportunity and the obligation to be the most political of any writing or any media, crime itself being the most manifest example of the politics of the time. We are defined and damned by the crimes of the times that we live in. The Moors Murders, the Yorkshire Ripper, and [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Punch-Drunk Love (Anderson, 2002)</title>
		<link>http://theotherjournal.com/filmwell/2012/01/17/punch-drunk-love-anderson-2002/</link>
		<comments>http://theotherjournal.com/filmwell/2012/01/17/punch-drunk-love-anderson-2002/#comments</comments>
		<pubDate>Tue, 17 Jan 2012 17:02:03 +0000</pubDate>
		<dc:creator>M. Leary</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[P.T. Anderson]]></category>
		<category><![CDATA[Punch Drunk Love]]></category>

		<guid isPermaLink="false">http://theotherjournal.com/filmwell/?p=7099</guid>
		<description><![CDATA[(Ed.: Today we have a welcome guest post from Nicholas Olson, who pens The Moviegoer.) Audiences were largely unsure about what to make of Paul Thomas Anderson’s Punch-Drunk Love when it was released almost a decade ago. Part of the quizzical reaction was that it was not a standard Adam Sandler film. Even critics found [...]]]></description>
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		<slash:comments>4</slash:comments>
		</item>
		<item>
		<title>The Artist (2011, Hazanavicius)</title>
		<link>http://theotherjournal.com/filmwell/2012/01/09/the-artist-2011-hazanavicius/</link>
		<comments>http://theotherjournal.com/filmwell/2012/01/09/the-artist-2011-hazanavicius/#comments</comments>
		<pubDate>Mon, 09 Jan 2012 19:13:02 +0000</pubDate>
		<dc:creator>Jeffrey Overstreet</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Michael Hazanavicius]]></category>

		<guid isPermaLink="false">http://theotherjournal.com/filmwell/?p=7088</guid>
		<description><![CDATA[[An abridged version of this review was published previously at Image.] It happens every January — movie ads fill up with boasts about awards they’ve won. In a few days, those boasts will start to include Oscar nominations. And The Artist is currently the most boastful of all. Filmmaker Michael Hazanavicius’s tribute to Hollywood’s silent [...]]]></description>
		<wfw:commentRss>http://theotherjournal.com/filmwell/2012/01/09/the-artist-2011-hazanavicius/feed/</wfw:commentRss>
		<slash:comments>12</slash:comments>
		</item>
		<item>
		<title>Some Favorite Films of 2011</title>
		<link>http://theotherjournal.com/filmwell/2012/01/03/some-favorite-films-of-2011/</link>
		<comments>http://theotherjournal.com/filmwell/2012/01/03/some-favorite-films-of-2011/#comments</comments>
		<pubDate>Tue, 03 Jan 2012 16:08:27 +0000</pubDate>
		<dc:creator>M. Leary</dc:creator>
				<category><![CDATA[Essays]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Top Ten 2011]]></category>

		<guid isPermaLink="false">http://theotherjournal.com/filmwell/?p=7081</guid>
		<description><![CDATA[One problem I have always had with year-end list making is that it forces me to break up the little thematic and emotional connections that develop between films, directors, and genres over the course of a year of new cinema and rank films according to a different metric. Rather than a list, I would like to [...]]]></description>
		<wfw:commentRss>http://theotherjournal.com/filmwell/2012/01/03/some-favorite-films-of-2011/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Best Film Writing of 2011? Let&#8217;s make a list&#8230;</title>
		<link>http://theotherjournal.com/filmwell/2011/12/22/best-filmwriting-of-2011-lets-make-a-list/</link>
		<comments>http://theotherjournal.com/filmwell/2011/12/22/best-filmwriting-of-2011-lets-make-a-list/#comments</comments>
		<pubDate>Thu, 22 Dec 2011 17:32:53 +0000</pubDate>
		<dc:creator>M. Leary</dc:creator>
				<category><![CDATA[Au hasard Filmwell]]></category>
		<category><![CDATA[Best Film Writing 2011]]></category>

		<guid isPermaLink="false">http://theotherjournal.com/filmwell/?p=7076</guid>
		<description><![CDATA[I have always wanted to put an annual list of my favorite filmwriting together, but never actually get around to it. If I did make such a list for this year, Darren Hughes&#8217; commentary on the Toronto International Film Festival at Senses of Cinema would be somewhere on it. His description of Low Life is thrilling [...]]]></description>
		<wfw:commentRss>http://theotherjournal.com/filmwell/2011/12/22/best-filmwriting-of-2011-lets-make-a-list/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
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