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	<title>Filmwell</title>
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	<link>http://theotherjournal.com/filmwell</link>
	<description>Is This a Film Blog?</description>
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		<title>Filmwell Icons: #2. Samantha</title>
		<link>http://theotherjournal.com/filmwell/2012/05/20/filmwell-icons-2-samantha/</link>
		<comments>http://theotherjournal.com/filmwell/2012/05/20/filmwell-icons-2-samantha/#comments</comments>
		<pubDate>Sun, 20 May 2012 19:59:26 +0000</pubDate>
		<dc:creator>Jeffrey Overstreet</dc:creator>
				<category><![CDATA[Au hasard Filmwell]]></category>
		<category><![CDATA[Filmwell Icons]]></category>
		<category><![CDATA[Luc and Jean-Pierre Dardenne]]></category>

		<guid isPermaLink="false">http://theotherjournal.com/filmwell/?p=7592</guid>
		<description><![CDATA[Samantha (Cécile De France) is a hairdresser; she works with her hands, and she knows the art of gentleness. Hairdressers also tend to become listeners&#8230; even counselors and confessors. All of these skills will come into play as she finds herself seized by a broken-hearted boy. The central character of Jean-Pierre and Luc Dardenne&#8217;s film [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Thou Shalt Have No Other God But Captain America&#8217;s</title>
		<link>http://theotherjournal.com/filmwell/2012/05/15/thou-shalt-have-no-other-god-but-captain-americas/</link>
		<comments>http://theotherjournal.com/filmwell/2012/05/15/thou-shalt-have-no-other-god-but-captain-americas/#comments</comments>
		<pubDate>Tue, 15 May 2012 15:28:01 +0000</pubDate>
		<dc:creator>M. Leary</dc:creator>
				<category><![CDATA[Essays]]></category>
		<category><![CDATA[Avengers]]></category>
		<category><![CDATA[Captain America]]></category>
		<category><![CDATA[God]]></category>
		<category><![CDATA[Hulk]]></category>
		<category><![CDATA[Joss Whedon]]></category>
		<category><![CDATA[Loki]]></category>
		<category><![CDATA[mythology]]></category>
		<category><![CDATA[Thor]]></category>

		<guid isPermaLink="false">http://theotherjournal.com/filmwell/?p=7497</guid>
		<description><![CDATA[Or at least, I think that is what he may say if pushed. We don&#8217;t quite have the opportunity to press Captain America on his theological background, given that reference to divinity in The Avengers is pretty spare. (This is okay. The primary purpose of the film is to be awesome, and it certainly accomplishes [...]]]></description>
		<wfw:commentRss>http://theotherjournal.com/filmwell/2012/05/15/thou-shalt-have-no-other-god-but-captain-americas/feed/</wfw:commentRss>
		<slash:comments>7</slash:comments>
		</item>
		<item>
		<title>They Who See God’s Hand: The Tree of Life as an “Upbuilding Discourse”</title>
		<link>http://theotherjournal.com/filmwell/2012/05/11/they-who-see-gods-hand-the-tree-of-life-as-an-upbuilding-discourse/</link>
		<comments>http://theotherjournal.com/filmwell/2012/05/11/they-who-see-gods-hand-the-tree-of-life-as-an-upbuilding-discourse/#comments</comments>
		<pubDate>Fri, 11 May 2012 13:56:25 +0000</pubDate>
		<dc:creator>M. Leary</dc:creator>
				<category><![CDATA[Essays]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Existentialism]]></category>
		<category><![CDATA[Job]]></category>
		<category><![CDATA[Malick]]></category>
		<category><![CDATA[Soren Kierkegaard]]></category>
		<category><![CDATA[Tree of Life]]></category>
		<category><![CDATA[Upbuilding Discourses]]></category>

		<guid isPermaLink="false">http://theotherjournal.com/filmwell/?p=7427</guid>
		<description><![CDATA[[Ed. note: A very, very welcome guest post from Nicholas Olson] The very moment everything was taken away from Job, he knew it was the Lord who’d taken it away. He turned from the passing shows of time. He sought that which is eternal. Does he alone see God’s hand who sees that He gives? [...]]]></description>
		<wfw:commentRss>http://theotherjournal.com/filmwell/2012/05/11/they-who-see-gods-hand-the-tree-of-life-as-an-upbuilding-discourse/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Filmwell&#8217;s Book of Filmmaker Wisdom, Excerpt 13: Robert Altman</title>
		<link>http://theotherjournal.com/filmwell/2012/05/10/filmwells-book-of-filmmaker-wisdom-excerpt-13-robert-altman/</link>
		<comments>http://theotherjournal.com/filmwell/2012/05/10/filmwells-book-of-filmmaker-wisdom-excerpt-13-robert-altman/#comments</comments>
		<pubDate>Fri, 11 May 2012 04:28:14 +0000</pubDate>
		<dc:creator>Jeffrey Overstreet</dc:creator>
				<category><![CDATA[Au hasard Filmwell]]></category>
		<category><![CDATA[Filmmaker Wisdom]]></category>
		<category><![CDATA[Robert Altman]]></category>

		<guid isPermaLink="false">http://theotherjournal.com/filmwell/?p=7421</guid>
		<description><![CDATA[On directing actors: &#8220;I want to see them do the work. All I’m trying to do is make it easy on the actor, because once you start to shoot, the actor is the artist. I don’t say, &#8216;Here’s the way I want it done,&#8217; because I want to see something I’ve never seen before. How [...]]]></description>
		<wfw:commentRss>http://theotherjournal.com/filmwell/2012/05/10/filmwells-book-of-filmmaker-wisdom-excerpt-13-robert-altman/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Avengers (Whedon, 2012)</title>
		<link>http://theotherjournal.com/filmwell/2012/05/03/the-avengers-whedon-2012/</link>
		<comments>http://theotherjournal.com/filmwell/2012/05/03/the-avengers-whedon-2012/#comments</comments>
		<pubDate>Thu, 03 May 2012 19:33:58 +0000</pubDate>
		<dc:creator>Jeffrey Overstreet</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Jeffrey Overstreet]]></category>
		<category><![CDATA[Joss Whedon]]></category>
		<category><![CDATA[Superheroes]]></category>

		<guid isPermaLink="false">http://theotherjournal.com/filmwell/?p=7410</guid>
		<description><![CDATA[&#160; Caution: The following review was written by a moviegoer who has been suffering from superhero-movie fatigue since X-Men 3 back in 2006. You have been warned. Don’t worry — I get it. My review of The Avengers won’t make a dollar’s difference in the box office results. The best stunt you&#8217;ll see now that [...]]]></description>
		<wfw:commentRss>http://theotherjournal.com/filmwell/2012/05/03/the-avengers-whedon-2012/feed/</wfw:commentRss>
		<slash:comments>10</slash:comments>
		</item>
		<item>
		<title>Last Fast Ride: The Life, Love, and Death of a Punk Goddess (Ayers, 2011)</title>
		<link>http://theotherjournal.com/filmwell/2012/04/16/last-fast-ride-the-life-love-and-death-of-a-punk-goddess-ayers-2011/</link>
		<comments>http://theotherjournal.com/filmwell/2012/04/16/last-fast-ride-the-life-love-and-death-of-a-punk-goddess-ayers-2011/#comments</comments>
		<pubDate>Tue, 17 Apr 2012 04:39:27 +0000</pubDate>
		<dc:creator>Jason Morehead</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Last Fast Ride]]></category>
		<category><![CDATA[Lilly Scourtis Ayers]]></category>
		<category><![CDATA[Marian Anderson]]></category>

		<guid isPermaLink="false">http://theotherjournal.com/filmwell/?p=7350</guid>
		<description><![CDATA[Since becoming a parent, I&#8217;ve become acutely aware of movies that deal with the impact that parents, and particularly fathers, have on their children&#8217;s lives, for better or worse. Hirokazu Kore-Eda&#8217;s Still Walking fascinated me so because of that theme. Malick&#8217;s The Tree of Life left me shaking and undone because of it. It explains why, [...]]]></description>
		<wfw:commentRss>http://theotherjournal.com/filmwell/2012/04/16/last-fast-ride-the-life-love-and-death-of-a-punk-goddess-ayers-2011/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Taylor-Made: Why You&#8217;re Missing Out If You Don&#8217;t Go See Blue Like Jazz</title>
		<link>http://theotherjournal.com/filmwell/2012/04/15/taylor-made-why-youre-missing-out-if-you-dont-go-see-blue-like-jazz/</link>
		<comments>http://theotherjournal.com/filmwell/2012/04/15/taylor-made-why-youre-missing-out-if-you-dont-go-see-blue-like-jazz/#comments</comments>
		<pubDate>Sun, 15 Apr 2012 22:04:32 +0000</pubDate>
		<dc:creator>Jeffrey Overstreet</dc:creator>
				<category><![CDATA[Essays]]></category>
		<category><![CDATA["Christian" movies]]></category>
		<category><![CDATA[Christianity]]></category>
		<category><![CDATA[Donald Miller]]></category>
		<category><![CDATA[Jeffrey Overstreet]]></category>
		<category><![CDATA[Steve Taylor]]></category>

		<guid isPermaLink="false">http://theotherjournal.com/filmwell/?p=7371</guid>
		<description><![CDATA[Blue Like Jazz, the new film by director Steve Taylor, is based on Donald Miller’s New York Times-bestselling memoir. It’s the biggest filmmaking success story in the history of the Kickstarter program, earning $345,000 in donations to help cover its costs. Were their investments rewarded? If you skim through the reviews, you might be inclined [...]]]></description>
		<wfw:commentRss>http://theotherjournal.com/filmwell/2012/04/15/taylor-made-why-youre-missing-out-if-you-dont-go-see-blue-like-jazz/feed/</wfw:commentRss>
		<slash:comments>34</slash:comments>
		</item>
		<item>
		<title>Guest Contributor Stephen Lamb: A Short Defense of Melancholia and &#8220;Images from a Closed Ward&#8221;</title>
		<link>http://theotherjournal.com/filmwell/2012/04/09/guest-contributor-stephen-lamb-a-short-defense-of-melancholia-and-images-from-a-closed-ward/</link>
		<comments>http://theotherjournal.com/filmwell/2012/04/09/guest-contributor-stephen-lamb-a-short-defense-of-melancholia-and-images-from-a-closed-ward/#comments</comments>
		<pubDate>Tue, 10 Apr 2012 04:31:42 +0000</pubDate>
		<dc:creator>Jeffrey Overstreet</dc:creator>
				<category><![CDATA[Essays]]></category>
		<category><![CDATA[Lars Von Trier]]></category>
		<category><![CDATA[Stephen Lamb]]></category>

		<guid isPermaLink="false">http://theotherjournal.com/filmwell/?p=7339</guid>
		<description><![CDATA[[This post comes to us from guest writer Stephen Lamb.] At the premier last Friday of Michael Hersch’s &#8220;Images from a Closed Ward,&#8221; performed by Nashville’s Blair String Quartet, the program notes included some thoughts from Michael Mazur, the artist whose etchings bearing the same name had inspired the new work. “These compositions are filled [...]]]></description>
		<wfw:commentRss>http://theotherjournal.com/filmwell/2012/04/09/guest-contributor-stephen-lamb-a-short-defense-of-melancholia-and-images-from-a-closed-ward/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>A Monster in Paris (Bergeron, 2012)</title>
		<link>http://theotherjournal.com/filmwell/2012/04/03/a-monster-in-paris-bergeron-2012/</link>
		<comments>http://theotherjournal.com/filmwell/2012/04/03/a-monster-in-paris-bergeron-2012/#comments</comments>
		<pubDate>Wed, 04 Apr 2012 06:06:39 +0000</pubDate>
		<dc:creator>nkcarter</dc:creator>
				<category><![CDATA[Reviews]]></category>

		<guid isPermaLink="false">http://theotherjournal.com/filmwell/?p=7335</guid>
		<description><![CDATA[A Monster in Paris is a film meticulously designed for international success. The poster might as well be advertising another Dreamworks movie: bright, angular, with the usual satisfied smirks — it even proudly proclaims &#8220;from the director of Shark Tale.&#8221; The film is actually from the French production company Europa, but you&#8217;d hardly know it. There&#8217;s little evidence [...]]]></description>
		<wfw:commentRss>http://theotherjournal.com/filmwell/2012/04/03/a-monster-in-paris-bergeron-2012/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Absent Clue: Summary and Expectations</title>
		<link>http://theotherjournal.com/filmwell/2012/03/26/the-absent-clue-summary-and-expectations/</link>
		<comments>http://theotherjournal.com/filmwell/2012/03/26/the-absent-clue-summary-and-expectations/#comments</comments>
		<pubDate>Mon, 26 Mar 2012 18:34:53 +0000</pubDate>
		<dc:creator>nbooth</dc:creator>
				<category><![CDATA[Essays]]></category>
		<category><![CDATA[Detective Cinema]]></category>
		<category><![CDATA[detective stories]]></category>
		<category><![CDATA[Detectives]]></category>
		<category><![CDATA[Sherlock Holmes]]></category>

		<guid isPermaLink="false">http://theotherjournal.com/filmwell/?p=7331</guid>
		<description><![CDATA[Before continuing with my exploration of detective film (leaving, at last, Sherlock Holmes and moving on to more contemporaneous examples), I want to take a moment and re-iterate something that has been implicit in my posts here, but which might get lost in the shuffle when we narrow our focus to individual films. This post, [...]]]></description>
		<wfw:commentRss>http://theotherjournal.com/filmwell/2012/03/26/the-absent-clue-summary-and-expectations/feed/</wfw:commentRss>
		<slash:comments>4</slash:comments>
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