Canary and Its Imagination of Disaster
Unless you either caught it at this year’s Cinequest or are planning to attend the upcoming Migrating Forms, I don’t think your chances of catching Alejandro Adams’ latest film, Canary, are very good. But I hope it secures the distribution it deserves. Set in a near-future science-fiction, Canary trails a repossession agent (the bewitchingly ghostly Carla Pauli) of a corporation that leases organs to clients. When clients fail to keep up with the contracted exercise and... Read More
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