Jeffrey Overstreet

The Avengers (Whedon, 2012)

  Caution: The following review was written by a moviegoer who has been suffering from superhero-movie fatigue since X-Men 3 back in 2006. You have been warned. Don’t worry — I get it. My review of The Avengers won’t make a dollar’s difference in the box office results. The best stunt you’ll see now that […]

Jeffrey Overstreet

Taylor-Made: Why You're Missing Out If You Don't Go See Blue Like Jazz

Blue Like Jazz, the new film by director Steve Taylor, is based on Donald Miller’s New York Times-bestselling memoir. It’s the biggest filmmaking success story in the history of the Kickstarter program, earning $345,000 in donations to help cover its costs. Were their investments rewarded? If you skim through the reviews, you might be inclined […]

Jeffrey Overstreet

The Artist (2011, Hazanavicius)

[An abridged version of this review was published previously at Image.] It happens every January — movie ads fill up with boasts about awards they’ve won. In a few days, those boasts will start to include Oscar nominations. And The Artist is currently the most boastful of all. Filmmaker Michael Hazanavicius’s tribute to Hollywood’s silent […]

Jeffrey Overstreet

Mission: Impossible – Ghost Protocol (Bird, 2011)

It is a pleasure to announce that director Brad Bird’s Mission: Impossible – Ghost Protocol is worth every penny of today’s high ticket price. In this moviegoer’s opinion, it’s easily the finest installment in an otherwise mediocre franchise. Moreover, it’s leaves X-Men: First Class, Captain America, and the rest of 2011’s glorified Saturday morning cartoons in […]