Jeffrey Overstreet

Scribbled in the Dark: Meek's Cutoff

This is the best I can do translating the barely legible notes I made, and completing sentence fragments I scribbled, in a darkened theatre during a screening of Kelly Reichardt’s film Meek’s Cutoff: “Dry.” That’s how the film feels. Muted colors, in an area where there is no alternative — Eastern Oregon. Nothing interesting or […]