A Theological Aesthetic of Dissonance: Trauma, Lament, and the Seven Last Words of Jesus from the Cross
The artist cannot pass lightly over the disorder of the creation without being guilty of colossal self-deception and becoming utterly irrelevant to the needs of a broken and torn world. —Jeremy Begbie, Voicing Creation’s Praise A number of years ago, I attended a recital by the violinist Anne-Sophie Mutter. She began with Anton Webern’s Four […]
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