M. Leary

Is Chaos Cinema a Bad Thing?

This set of video essays was recently posted at Press Play, aimed at “anyone who’s ever turned away from a movie because of a director’s shaky camera.” The basic argument is that action cinema of the past was fairly “classical” in that even during intense action they were “meticulous and patient.” You could tell what […]

M. Leary

Silent Souls (Fedorchenko, 2010)

Silent Souls is a film about death. But the precise pace of this film, which is full of the kind of lengthy driving sequences that lull one into contemplation, provided plenty of room to think about the implications of the dead body in the back seat. There are a lot of ways to think about […]

M. Leary

Criticism vs. Petty Coercion

Wired (ht Jason Morehead) recently ran a short editorial about the geometric rate at which our ability to comment on products and experiences is increasing. Wired is an odd place to find such an editorial, as it has become notorious for product placement and a comment section that can degenerate pretty quickly. But there are […]

M. Leary

A New Film Criticism?

Will Osterweil has posted a description of a New Film Criticism over at The New Inquiry. It is full of such doozies as: “For most major film releases, marketing costs a quarter to a third of the production budget; this money goes to establishing a film’s ubiquity and “cultural relevance” while masking its inadequacies, inviting critics […]

M. Leary

Submarine (Ayoade, 2011)

The first impulse while watching Submarine is to start thinking about Wes Anderson. It soon becomes clear that this analogy doesn’t quite fit, so you move onto Hal Ashby. This fits a little bit better, but leaves too much wiggle room, so you start thinking about Truffaut. When the san-serifed intertitles, freeze-frames, and Anna Karina […]

M. Leary

What Malick Teaches Us About Cinema

The Gospel Coalition recently posted a review of Tree of Life that makes some interesting claims toward the end. I have emphasized the words that caught my attention:  “Recently, philosophers have begun asking the question of whether or not film has/will become a new form of thought itself.” “If these analyses turn out to be […]

M. Leary

The Pruitt-Igoe Myth (Freidrichs, 2011)

The Pruitt-Igoe housing project was open for business in 1954, completed in 1956, and destroyed in 1972. It then took four years to knock down the 33 buildings of the modernist development, which had been clustered together a bit northwest of downtown St. Louis in Le Corbusier fashion. The Pruitt-Igoe footprint is now an unexpected […]

M. Leary

Criticism and Advocacy

Over at Film Journey, Rob Koehler has posted some interesting comments on what really matters in the festival world. He does this by opposing two general approaches to film criticism, which can be identified by the films that interest each type of critic: The difference between these two approaches–both quite simple on their face, yet […]

M. Leary

Solaris (Tarkovsky, 1972)

“The universe is a big place, perhaps the biggest.” (Kilgore Trout) – Kelvin is a psychologist sent to a space station orbiting the planet Solaris, which in a startling pre-biblical way is covered by a raging, formless sea. Something has gone awry on this scientific mission, and Kelvin is tasked with investigating the crew before […]