About seven episodes ago, a frequently filmed set of dicsussions about cinema and the “biz” made their way to the internet (accessable either here or here). Ever since then, Look of the Week has been an interesting go-to for good film talk. A few good examples of what goes on in this program would be this contextualization of Certified Copy, this […]
Yesterday, a new component of the annual Edinburgh International Film Festival made its appearance on the internet in association with Mubi. Alongside its usual programming, the EIFF has this year concocted a virtual counterpart, Project: New Cinephilia. If all goes according to plan, it looks like interview and Q&A content from the EIFF itself will spill […]
“The really important kind of freedom involves attention, and awareness, and discipline, and effort, and being able truly to care about other people and to sacrifice for them, over and over, in myriad petty little unsexy ways, every day.” (David Foster Wallace) It is hard to witness the simple acrobatics of Certified Copy and […]
A look back at some favorite films from 2010.
This biopic covers the life of acclaimed cattle management genius Temple Grandin, who embraced her autism on its own terms and over time discovered how to translate her unconventional perspective on the world into startlingly insightful glimpses into animal behavior. Grandin came of age in the 50s, when autism was still considered the crippling emotional […]
Notes on Carlos and terrorism: 1. I find Assayas’ films tricky because I seldom have any expectations when sitting down to watch his latest film, whatever it might be. This makes thinking of Assayas as an auteur a difficult proposition, as by definition, an auteur is someone for which we generate a specific set of […]
Minnelli’s Some Came Running is generally considered a melodrama because of the way it pits classy against dingy, elegant against tawdry, and pastoral against fully-orbed CinemaScope kitsch. Likewise, its production was marred by a clash motivated by Frank Sinatra and Dean Martin’s disdain for Minnelli’s boorish focus on minute set details like wallpaper prints and […]
Soft Skull Press is putting together a series called Deep Focus, which pairs “the smartest, liveliest writers in contemporary letters” with whatever films they want to write about. So far I can see Lethem on They Live (hope he talks at length about the fight scene), Christopher Ryan on Lethal Weapon, Matthew Spektor on The […]
Well, I managed to miss this fantastic essay last week. But I am glad for that, as I encountered it after just stumbling across Christian Lorentzen’s crucifixion of Wes Anderson as hipster messiah. I often recall with glee the end of The Life Aquatic, in which our holy moment becomes curated by none other than […]