Robert Covolo

Alexander McQueen’s theatrical catwalks presented a conflicted sketch of a miraculous, transformed, and beautiful body consistent with what Charles Taylor has identified as the theologically haunted condition of late-modern Romanticism.

Robert Covolo and Cory Willson draw from contemporary ritual studies and Paul’s understanding of the Corinthian market to navigate the alternative interpretations James K. A. Smith and William Dyrness have on the formative power of cultural liturgies.