“Love thy neighbor” strongly implies not punching them in the face for fun.

A presentation of the stonework installation ekko by Seattle-based artist Roger Feldman, who created this site-specific work as a call-and-response piece to Freswick Castle in Scotland, the grounds upon which the piece exists.

In death, we enter into the tomb on Friday with Jesus, and like the disciples on Saturday, all we can do is to wait in the darkness, hoping for the miracle we were promised on Sunday.

Karen Swallow Prior meditates on the slow marriage of North and South.

Certain strands of friendship can cross distances, but others—regretfully—are broken.

White people’s fear of blackness remains a deadly, ongoing crisis, one with a deep history implicating Western rationality, aesthetics, and the spatial ordering of life itself.

This essay explores the theological ambiguity between the kingdom of God and territorial Israel, both in the context of St. Justin Martyr and of contemporary theological reflection on place.

Sunday We are on the boat, our family, barreling north into a sea of granite peaks. Before us spreads the gleaming surface of Lake Chelan, a fifty-one-mile gash cutting deep into the Cascade Mountains. To our right, the eastern foothills flow by, sun-browned in the August heat. They lie hulking like knuckles on a fist. […]

An exploration of the exhibit Oceans of Plastic by artist Shelia Rogers, who cleverly works with plastic and other found material she has collected over years of beachcombing in an effort to raise awareness of a challenging global situation.