Favorite Scenes of 2009 – Part Three
A few of Jeffrey Overstreet’s favorite big screen moments of 2009.
A few of Jeffrey Overstreet’s favorite big screen moments of 2009.
Filmwell’s Ron Reed is celebrating his birthday today, and we’d like to invite you to participate in the party. Here’s how: Since Ron is not only a passionate cinephile, but also the Artistic and Executive Director of the excellent Pacific Theatre in Vancouver B.C., let’s honor Ron by revisiting and recommending our favorite stage-to-screen productions. […]
Today we begin our three-part symposium on Graham Ward’s new book, The Politics of Discipleship: Becoming Postmaterial Citizens. Because our contributions for this symposium are longer than some of our other chapter-by-chapter symposiums, I’m making the papers available as pdfs, with a little teaser below. Our first contribution is from Ronald Kuipers, Senior Member in […]
David Brooks in The New York Times turns his attention from America’s occupation of Iraq and Afghanistan to humanity’s occupation of Pandora: Cameron’s handling of the White Messiah fable is not the reason “Avatar” is such a huge global hit. As John Podhoretz wrote in The Weekly Standard, “Cameron has simply used these familiar bromides […]
The Filmwell writers continue to explore their favorite scenes of 2009, as Michael S. Smith remembers Public Enemies, A Christmas Tale, and 35 Shots of Rum.
In this series, Filmwell writers remember the scenes that they will carry with them as souvenirs from 2009. Today: Mike Hertenstein and Jason Morehead
In this essay, Jeff McSwain describes the theological issues involved in his controversial departure from Young Life in 2007.
Beginning next Monday we’ll host a three-week symposium on Graham Ward’s new book in the Church and Postmodern Culture Series: The Politics of Discipleship: Becoming Postmaterial Citizens. The symposium will replay a panel discussion of the book sponsored by the Christian Theological Research Fellowship at the recent meeting of the American Academy of Religion in […]
Surprisingly overlooked in 2009’s parade of critics’ awards and top ten lists, this remarkable film and its lead performance deserve closer examination.