Uncategorized

A look into the poetic imaginary of Charles Williams, showing how creation is made for divine Incarnation.

Among gypsy diversity, one common thread – aside from an art that gives voice to the very Life Force – is a deep well of suffering: gypsies know well the troubles that chase all inassimilable Others down a neverending road, but they also share more universal pains.

The landscape paintings within this exhibit, which were inspired by artist Paul LaJeunesse’s stay in Iceland, reveal unity and harmony through disparate objects and spaces.

Fernando Eimbcke’s Lake Tahoe examines a young man’s quest to repair his wrecked car and broken heart.

Oliver Assayas’s exquisite new film, Summer Hours, is a sort of fable about heritage and generations, a longing look backward that has both caution and affection for the future. In a series of extended vignettes of a family wrestling with the implications of their inheritance, Assayas powerfully yet subtly explores the things that linger in […]

A poem by Pamela Johnson Parker.

Daniel A. Siedell discusses contemporary art from a Christian perspective with an emphasis on the work of Robyn O’Neil.

I watched Rebel Without a Cause on TV late one college night when I learned Sal Mineo was our next big draw at Once Upon a Stage dinner theatre. He would star in a stupid play about romantic entanglements, perfect for group sales and Sunday matinees filled with oldsters on field trips from the homes. […]

I have been a long time follower of Tuttle’s blog, which seems to have evolved into the beautifully designed Unspoken – Journal For Contemplative Cinema. The inaugural issue is focused on the films of Bela Tarr, and covers Damnation, Satantango, Werckmeister Harmonies, and related material. Harry Tuttle has an imaginative reflection on Family Nest, that […]