On the Humanity of Mad Max
Why Bonhoeffer would have loved Mad Max.
Why Bonhoeffer would have loved Mad Max.
How this year’s Oscar-winning best picture can teach us about our selfhood and search for meaning.
A character study examining the human desire for permanence and importance apart from normative life in Birdman.
This piece explores the social psychology of judgment, how this affects our evaluation of film, and how such influences might be mined for their theological significance.
Film is a place of revelation through disruption.
What united many of the films at Sundance this year? The same story that unites us all.
Kyle Patrick Alvarez’s recent film, The Stanford Prison Experiment, is itself a theological, cinematic experiment.
Boyhood’s twelve-year-long view of time serves to reorient our perspective about what is important and meaningful in a lifetime.
Through the lens of James Baldwin’s black intellectual imagination, Quentin Tarantino’s slave revenge fantasy, Django Unchained, becomes a terrifying allegory of white progressive identity in America today.