Before moving to North Carolina to begin a Ph.D. at UNC-Chapel Hill, I lived just outside of Nashville, TN. During my four years there, many of my friends were Nashville natives and even more of them were aspiring audio engineers, producers, and recordings artists who came to the city hoping to find work on Music […]
Many of the most important debates of the recent “worship wars” in evangelicalism (including the form/content divide identified in yesterday’s post) have their origins in two important conflicts from the first few decades of the Reformation: first, the debate over the exegesis of the Ten Commandments or “Decalogue,” and second, a broader conversation about the […]
“Praise and worship” music is one of the most oft-evoked and heavily contested markers of evangelical Protestantism in the United States. Its most vocal advocates herald praise and worship and its meteoric rise since the 1960s as nothing less than the rebirth of Western Christianity, citing its unique ability to attract an entire generation of […]
Just last week, I was reading Deena Weinstein’s landmark 1991 study Heavy Metal: A Cultural Sociology and I was nearly stopped in my tracks by the final chapter, which deals with metal’s “detractors” from across the political spectrum. While conservative criticisms of heavy metal are well-known through the work of groups like the Parents Music […]
The idea of “deconstruction” has achieved a somewhat surprising ubiquity in our current culture. In addition to relatively long-standing applications in literary and cultural criticism, deconstruction has also found a home in political punditry and haute cuisine (what does it mean to “deconstruct” a meatloaf anyway?). But perhaps most enamored with the idea of deconstruction […]
I remember the first time I saw Lady Gaga perform on TV. She was seated at a very large and very pink piano brimming with plastic bubbles. She had barely tickled the flamingo ivory before strutting center stage to engage in a most bizarre choreography. At the time, Lady Gaga was still becoming the icon […]
Music has interacted with other media for decades—from film scores to television theme songs, radio music stations to news stories and podcasts—music rarely stands alone. When music does stand “alone,” as in perhaps the case of music for the sake of music such as with live symphony or rock music performances, it remains ever mediated. […]
One year ago, Paste Magazine’s associate editor Rachel Maddux wrote a provocative article that asked the question, “Is Indie dead?” Comparing the question to the one TIME writer John T. Elson wrote forty five years ago concerning the more existential question, is God dead?, Maddux ties the theological question to the musical one: Elson wrote […]
It is a rare and special treat to find a band that makes music, especially music that one might classify as religious music, which is wholly devoted to the pursuit of beauty. The Opiate Mass, a Seattle-based collaboration of musicians, songwriters, visual artists, audio engineers, and authors, provides just such a treat. In this interview, […]
