The Long and Winding Road
Marjorie Maddox imagines eschatology as a long, hard road.
Marjorie Maddox imagines eschatology as a long, hard road.
Curator Meaghan Ritchey reflects on the specificity of place in Havana, Cuba, as seen through the lens of Rob Jefferson’s photography.
The Other Journal interviews internationally recognized artist Ken Gonzales-Day about his recent project Run Up, his perspective on historically constructed systems of race and representation, and his posture of bearing witness to traumatic cultural realities through his work.
This body of work from photographer Kurt Simonson relates to his experiences living at the L’Abri communities and takes notice of themes such as stillness, presence, and community.
In this photo exhibit, Scott Strazzante juxtaposes images from a cattle-ranching family and a family living in a subdevelopment several years later on the same land to reveal the differences, complexities, and similarities between farm life and suburbia life.
This is a second poem by Elizabeth Hoover that uses the photography of Saul Leiter as a source for meditative dialogue on the nature of an image.
This poem by Elizabeth Hoover uses the photography of Saul Leiter as a source for a meditative dialogue on the nature of an image.
In this art exhibit and interview, Tim Lowly invites us to challenging stories by painting his daughter Temma as an icon of sorts, pointing us outside our selves and our comfort zones, toward God and the other.
Ellen Jantzen pushes the bounds of conceptual art with her exhibit of elemental and provocative imagery.