Justin Phillips reviews Aaron Griffith’s God’s Law and Order and Brenda Salter McNeil’s Becoming Brave.
Joel Mayward converses with Native American theologian Randy Woodley about the beautiful story-truths of Indigenous perspectives.
Jon Coutts revisits his fear of eternity in light of two weirdly fantastic science fiction films.
Sonja Livingston contemplates junior high, Blondie, and what it means to be saved.
Heather M. Surls wrestles with untamable glory and mystery.
Shelby Poulin imagines church, humbled and stripped-back.
Joel Kiekintveld suggests open arms and shared space as a tough remedy for our cultural and political divides.
Elvir Ciceklic magnifies the Trinity in Jesus’s resurrection and the life of the church.
Symen Auke Brouwers rides his bike through the fens.
Mary McCampbell develops a more robust theology of creation care after visiting Douglas Coupland’s Vortex exhibit in the Vancouver Aquarium.
Deborah Lewer considers the painting The Adoration of the Kings in the Snow (Epiphany).
Steven Félix-Jäger critically engages language theory in the conceptual art of Brent Everett Dickinson.
Ken Badley reviews The Rise and Triumph of the Modern Self by Carl R. Trueman.
Zachary Thomas Settle brings Paul Griffith’s Christian Flesh into conversation with Natalie Carnes’ Motherhood.
Tom C. Hunley spends an evening pondering 28,065 nights by Katie Manning.