Ian Olson interrogates the exploitative structures which make racism possible and obscure the demonic origin of many American values.
Brian Walsh proposes a biblical reimagination of sacred space.
Mary McCampbell shares how reading Shakespeare and Frederick Douglass changes minds about racial injustice.
Joanne Nelson wanders and wonders through tributaries of watery connections.
Joanne Nelson mindfully considers the intersection of meditation and her morning cup of coffee.
Megan Hamilton retells stories of her small town through some of its least-noticed structures.
Joshua Heavin describes why we need another yet another commentary on Romans.
Jonathan Hiskes considers habits of numbness and rest and his love for Frac.
Chris E. W. Green suggests that the origin of the world is neither spectacle nor sacrifice; our origin is sweetness.
Mary McCampbell develops a more robust theology of creation care after visiting Douglas Coupland’s Vortex exhibit in the Vancouver Aquarium.
Deborah Lewer considers the painting The Adoration of the Kings in the Snow (Epiphany).
Steven Félix-Jäger critically engages language theory in the conceptual art of Brent Everett Dickinson.
Ken Badley reviews The Rise and Triumph of the Modern Self by Carl R. Trueman.
Zachary Thomas Settle brings Paul Griffith’s Christian Flesh into conversation with Natalie Carnes’ Motherhood.
Tom C. Hunley spends an evening pondering 28,065 nights by Katie Manning.