Carl Raschke discusses how critical theory might inform theology in an age of neoliberalism, political upheaval, nationalism, and the precariat class.
In this interview, Carl Raschke discusses our need to create celebrities, the fantasies they fulfill, and what we can learn from our obsessions with them.
n this article, Carl Raschke uses the film “The Dark Knight” and the philosophy of Gilles Deleuze as lenses through which to view the 2008 presidential campaign and to suggest what it might mean to approach the election in true postpartisan fashion.
